摘 要 今天的鲁迅常为人称道的，是他的文字及文字背后所传达的精神。但在其原有的身份之外，如果介入艺术与设计的视野探讨鲁迅，就能更好地还原出鲁迅的多元身份。他是艺术收藏、评论与推广者，热衷于收藏绣像、雕版和金石拓片，推广国内外版画;他是字体和书籍装帧设计的艺术实践者，曾参与北京大学校徽等多个设计项目，并引领中国近代书籍装帧设计迈入新阶段;他更是中国青年木刻版画创作者们的伟大导师，极力推广新兴木刻艺术，开办课程、刊印画册，鼓励青年艺术家创作。鲁迅对于中国艺术和设计的贡献，如炽热炬火，砥砺着创作者们不断前行。

关键词 鲁迅;艺术;设计;版画

引用本文格式 邱圣翔.收藏者、实践者与导师——艺术与设计视野中鲁迅身份的再认识[J].创意设计源，2021（6）：63-68.

Collector， Practitioner and Mentor

-Recognition of Lu Xun's Identity from the Perspective of Art and Design

QIU SHENGxiang

Abstract Today， Lu Xun is often celebrated for his words and the spirit behind them. But outside of his original identity， Lu Xun's multiple identities can be better restored when he is explored by intervening in the vision of art and design. He was a collector， critic and promoter of art， passionately collecting embroidered images， engraved plates and gold and stone topiaries， and promoting printmaking at home and abroad; he was a practitioner of typeface and book binding design， participating in many design projects such as the emblem of Peking University， and leading the design of modern Chinese book bindings into a new stage; he was also a great mentor of Chinese woodcut artists， vigorously promoting the emerging art of woodcut， offering courses， publishing albums， and encouraging He was also a great teacher of Chinese woodcut artists， promoting the emerging art of woodcut， offering courses， publishing books， and encouraging young artists to create. Lu Xun's contribution to Chinese art and design is like a blazing torch that keeps creators moving forward.

Key Words  Lu Xun; art; design; print

魯迅本名周树人，字豫山，后改为豫才，浙江绍兴人。他是 20 世纪以来，中国非常重要的文学家、思想家和教育家。著有小说集《呐喊》《彷徨》《故事新编》，杂文集《且介亭杂文》《三闲集》《二心集》《南腔北调集》等。自其作品面世以来，无数学者、研究者都对鲁迅给予了高度评价。毛主席曾评价鲁迅：“鲁迅的骨头是最硬的，他没有丝毫的奴颜和媚骨，这是殖民地半殖民地人民最可宝贵的性格。鲁迅是在文化战线上，代表全民族的大多数，向着敌人冲锋陷阵的最正确、最勇敢、最坚决、最忠实、最热忱的空前的民族英雄。”[1]韩国文学评论家金良守曾评价鲁迅是 20 世纪东亚文化地图上占最大领土的作家。……