摘要：纹样在当代设计下的大概念里具有多重原理性的阐释，既有20世纪初期设计先驱们给予的“图案”定义，亦有装饰的外在平面化图形含义。紋样谓装饰与绘画形式美本质上同源，功能上差异巨大，为非形式规律下的设计，带有平面化形式美延伸性。支撑纹样的推广与流传，造形所构成的寓意传承。笔者从民间纹样的造形认知入手，借用对比法分析纹样造形的基本特点。以实践案例展开分析造形“认知”在当代设计中的应用论述传承性的意义；放眼纹样造形中的造型、色彩等形式语言特点认知，体现民间纹样蕴含平面化概念以多元化方式呈现在当下设计中是民族特色独特韵味的彰显。

关键词：民间纹样；造型；寓意；传承；应用

中图分类号：TB482 文献标识码：A 文章编号：1400 （2021） 10-0104-06

基金项目：山东工艺美术学院2019教改项目（“设计专业基础能力培养与创新能力研究”阶段性成果2019M01）

The Application and Inheritance of Folk Pattern Cognition

QIU Fei（Shandong University of Art and Design， Shandong 250300， China）

Abstract： Patterns have many conceptual interpretations in the big concept of modern and contemporary design， that is， design pioneers in the early 20th century gave it the definition under the pattern； There is also the meaning of decorative external plane graphics， which is completely distinguished from the graphic nature of painting， the form of design regularity， and the extension of the concept of unique plane design. Then， the promotion and spread of folk auspicious patterns are the inheritance of the implied meaning formed by the pattern. Starting from the modeling cognition of folk patterns， the author will analyze the basic characteristics of the modeling inheritance of folk auspicious patterns， and the application of modeling cognition in contemporary design to discuss the significance of their inheritance. As the essence of the historical and cultural products， the folk auspicious patterns contain the unique connotation and value of the plane and three-dimensional. The exploration of the modeling color of the folk auspicious patterns as the formal language in the large design will introduce the new design with national characteristics that spans The Times to highlight the unique flavor.

Key words： folk pattern； modelling； the moral； inheritance； application

民间装饰纹样诞生于原始的“浑沌”，兼具雅与俗的共性。其象征寓意为实用意识上升到信仰、巫术等观念融合所产生。论及民间纹样具体呈现是器物与器物装饰、建筑的雕梁画柱、喜庆之余的剪纸、刺绣等等独特结构形式的装饰物。民间纹样的结构形式充满无数不确定性，与朝代更替、民族融合有直接性联系。晚清两大学制改革，“新学”到来使图案独立成学。民间纹样造形的理法随之从经验性创造上升到学理性思考。

图案曾是近现代设计的概称，纹样依附此体系下，呈现在众多设计学科内。……