龙长吟

(怀化学院中文系,湖南怀化 418008)

旧学商量加邃密 新知培养转深沉
——评吴大顺《欧梅唱和与欧梅诗派研究》

龙长吟

(怀化学院中文系,湖南怀化 418008)

运用一条从个案开始的,融文化学、诗歌学、阐释学、心理学、时空观念、社会学等新旧理论于一体的古典文学研究的新思路,从欧、梅、苏等诗人的相互唱和中,列出并详细分析他们诗歌作品的文化背景、创作方法和艺术表现技巧的相同、相近和相似之处,第一次明确地提出了北宋时期存在着一个“欧梅诗歌流派”,而且系统地总结了该流派写实、美刺、娱乐三大思想艺术特征,梳理出了该流派发生、发展、成长、鼎盛、直至衰微的历史过程。继而总揽宋代诗歌和散文的全局,论述欧梅诗派对宋代诗文的影响,缜密地完成了整个论述,将自己的学术旗帜插进了古往今来宋诗研究的营地中。

旧学; 新知; 欧梅唱和; 欧梅诗派

Abstract:Based on the old Chinese learning and new theories concerning culturology,poetics,hemeneutics,psychology,sociology and concepts of time and space and by using a case study as beginning,the author analyzes in detail their similaritiesof their literaryworks in cultural background,techniques and methods in literary creation and for the first time argues that there exists a poetic school of Ouyang Xiu and Mei Yao-chen during the Northern Song dynasty.Mr.Wu also summarizes systematically their literary features and stages in development.Ouyang Xiu and Mei Yao-chen's influence on poems writing during Song dynasty is also touched on.

Key words:old Chinese learning; new knowledge; responsory poems; poetic school of Ou yang Xiu and MeiYao-chen

笔者从事中国现当代文学研究,大顺博士研究中国古典文学,我们稍有隔行,却不隔山。他所著的《欧梅唱和与欧梅诗派研究》[1](以下简称《欧梅诗派》),就是一部通今证古之作。笔者读着它,不禁想起朱老夫子的几句诗:“旧学商量加邃密,新知培养转深沉。却愁说到无言处,不信人间有古今。”(朱熹:《鹅湖寺和陆子寿》)朱熹是个学问家,仕途并不得意,为官九载,在任总共约有40来天,可见官场上的他活得并不痛快;但一旦与学人张木式、陆子寿等朋友相聚,便神采飞扬。办书院,授门徒,做学问,是他一生的主业和精神的寄托。……