彭镜

During the period of sketching， I was in a state of passion， but I did not know where to start when I picked up the paintbrush. Although I had contact with him in college， I did not have a systematic course， and I just went out to paint occasionally with my teacher， which was only one or two days. In the previous sketching with the teacher， the teacher often hung in the mouth， "sketching is creative， creative is realistic" the teacher also said： "sketching must go through three stages， first， see the mountain is a mountain; Second， look at the mountain is not a mountain; Third， see the mountain is a mountain "at that time also can't understand， the teacher said this we only know silly joy. But after this wuyuan sketching， slowly some experience， every day will be more to some problems， although very painful， but also have its happiness. Here I would like to mainly from sketching some of my own problems encountered in a discussion.

Main forms of landscape painting

The main form of landscape painting includes direct sketching; There is also the way of sketching， the whole picture of the relationship between the painting， to the back and then into the ink way; Through the perception of true mountains and rivers， or their own observation of the scenery， such as back to their own place， and then to note it. This is a basic understanding of landscape painting and sketching.

Second， the basic method of landscape painting

In the process of painting， landscape painting a painting process there are many， but many people think that as long as look like is good thing， actually otherwise， this understanding is wrong， a lot of people completely by painting a painting to painting， to forget the language of painting， traditional Chinese painting itself pursues this sketch way actually creation was no help to us. However， in the process of sketching， the original scenes are often restored， but the language of brush and ink cannot be forgotten. The treatment of brush and ink is a key issue in the picture. In this process of sketching， we are more realistic， the natural objects and images expressed some real， but not blindly copy， such a way few people use. In the process of sketching， there is another way to refine the natural images. Through our processing of the picture， the painting language is enriched.

The process of landscape painting

First is the selection of scenery， followed by the conception and composition. In the process of sketching， we often start painting when we pick up the brush. In the process of sketching， sometimes we try to choose something we are interested in to process， which is of great help to us in processing the picture. In the initial stage， we can select some objects with rich levels and consider their ink language programs. If their skills are more mature， in fact， according to the subjective processing of the picture， in order to be able to establish the relationship between the picture.

Sketching must learn to observe things， consider the Yin and Yang back problems， the picture is rich enough. But the composition of the picture should also be considered， otherwise the picture will lack of integrity， appear scattered. But we deal with all these， the third is the picture the last adjustment， the ancients have "bold writing， carefully clean up the final packing stage is a key step， main is to adjust the relationship between images， which also includes the relations between structure and form， the picture of the actual situation and so on processing， by adjusting the picture more dynamic.

Iv. Problems encountered in sketching

In the process of sketching， there were more and more problems. First of all， it was a treatment of the whole picture， that is， the lack of changes in the use of pen and ink， which made the whole picture too flat without changes in levels. Because I went to sketching in jiangxi， the scenery in the south was a picture of dripping ink， and it was difficult to write when I was dealing with it. There are a lot of problems in the processing of the picture relationship， because before only copying， lack of a sense of the picture as a whole.

Secondly， there is a treatment of the foot of the slope and the treetone. The treatment of the foot of the slope is too conceptual to be summarized. Only by constantly strengthening the treatment and research of the picture can we deal with it well. The treatment of trees is also a major problem faced by the picture. In many cases， the treatment of trees is not in place， including the changes of the roots and branches of trees， as well as the enhancement. In the picture should emphasize the place must strengthen processing， can not be ambiguous， the picture also has to wake up the place of ink， so that the picture can see the spirit; Organizing the picture is also a key problem. In many cases， there is no connection between the picture and the picture， which is too abrupt and makes the picture disharmonious. We'll have to work hard at this.