生产辅助设施，尼肯，智利

塔尔卡大学学生项目

生产辅助设施，尼肯，智利

1 外景/Exterior view

关于土地文脉

智利中心山谷是一个特殊的空间，农作物种植改造了这里的自然环境。这种乡村景观以及有关它的记忆都是活的，带有生态和社会的背景。这里正在生成一个有机体，而且这个有机体既是物质的也是文化的，既是客观的也是主观的。它在形象上表现为居民生活中生成的一些标记的集合（道路、庄稼、土堆、隧道），共同形成了一个建筑性的空间。

关于建筑

这个项目的概念源于两个不完整的立方体，我们用它去定义生产空间，同时它也被这些生产转变，这意味着它是一个未来可以改变的空间。第一个立方体是金属的，用来挡雨和遮阳，第二个立方体由未经处理的木材制成，带有试图与环境相匹配且易于修补的外壳。

所有的材料和建造技术都是常见并且易用的，确保在未来与建筑物保持持续的关联。它对周围景观开放，可以提供一个通风的空间，建筑物、地平线、庄稼、土壤以及自然，都可以成为其环境中的一部分。□（辛梦瑶 译）

项目信息/Credits and Data

作者/Author: Yasna Paola Monsalve Fuentes

导师/Tutor: Andrés Maragaño Leveque

位置/Location: 路易斯索托州，北公园，圣格雷戈里奥，尼肯，马乌莱大区/Luis Soto state, North Park, San Gregorio, Ñiquén, Maule Region

材料/Materials: 松木，可回收胶合板，锌板/Pine wood, recycled plywood panels, zinc

摄影/Photos: Yasna Paola Monsalve Fuentes

3 剖面/Section

2 平面/Plan

4-6 细部/Details

About the territory

The Chile Central Valley, is a specialized space. Formed by a processed nature, and manipulated according to the production of food and supplies. This rural landscape is a live landscape, with memory, charged with a biological and social background. This, in short, is generating an extensive tissue. To our understanding, such tissue is both material and cultural, meaning objective and subjective. As an image, such tissue represents the accumulation of marks (roads, crops, plots, channels) from the processes developed by its inhabitants, which in sum turn out to be an architectural space.

About the architecture

The project starts as a strategy of two incomplete cubes, which are confronted to define a space where production happens, and it is transformed by this production, meaning that is a space open for change. The first cube is metallic and protects from rain and sun, the second is made of untreated wood, with a shell that tries to match the environment and which can be easily repaired.

All the materials and building techniques can be understood as common, accessible, and secure the subsequent relation with the building. Open towards the landscape it permits a ventilated space, but also, it allows for the built mass, the horizon, the crops, the soil, and the nature to be included with its environment. □(Andrés Maragaño)

1x14 木板广场（1个平面，14个剖面），特诺，智利1x14 Pallet Square (1 plan, 14 sections), Teno, Chile, 2013

1 外景/Exterior view

这个项目源于对库里科和塔尔卡省内剩余材料的研究。木板是在这个区域内的城市和乡村中被反复使用的材料，它具有令人瞩目的构造能力，造价低且易于制作。

在完成材料研究和明确建造方法之后，需要考虑的是选择合理的基地和功能。我们选择的场所是特诺的圣塞瓦斯蒂安村中一个条状的公共空间。根据研究，这个地区推动经济发展、提供高就业率的大量水果公司，也使这里成为木板最多的地方。

5年前，该地段上曾有的一座典型的夯土住宅，在经历过该区域的城市化和迫切住房需求之后被拆除，只保留下了一些树。

该项目就位于原来的住宅所在地，它试图挽救其曾经的存在意义。于是方案的第一步就是降低原来住宅位置上一个10mx10m广场的水平高度，作为面对这片空白的姿态。

第二步是还原那些原本在树荫下的内院中可能存在的生活，因此大量木板被按照研究阶段定下的施工方法进行设计。体量试图展现受农耕风景影响的动态画面。它由12排木板构成，每排70cm宽，刚好是一条步道的宽度，高度被提升1.15m，可以在树荫下眺望山谷，感受风和树叶的沙沙声。

项目被设计为一个由废弃材料模块构建的广场。旨在形成一个场所，尊重这里的每个文脉要素，且让这些要素成为一个活跃的部分。这个公共空间将为邻里提供一处停留、赏景和娱乐的场所。□（辛梦瑶 译）

项目信息/Credits and Data

作者/Author: Jonnattan Silva Ortega

位置/Location: 圣塞瓦斯蒂安村，特诺，马乌莱大区/San Sebastián Village, Teno, Maule Region

材料/Materials: 木板，砖，碎石，沙子/Wooden pallets, bricks, gravel, sand

面积/Area: 267.65 m2

摄影/Photos: Jonnattan Silva Ortega

The origin of this project comes from the study of leftover materials in the region, mostly from the Curico and Talca provinces. This research shows the Wooden Pallet as a repetitive material with identity, in both urban and rural areas, with an interesting structural capacity, low cost and easy to manipulate.

After this material research and having a defined construction method, a research on which places and programs are suitable is conducted. The chosen place is a public strip in the San Sebastián de Teno village. From the research, this is the area with the largest amount of pallets, given the existence of many fruit companies in the town, which drive its main economy and provide the highest percentage of jobs.

The story of the strip tarts five years ago, where a typical rammed-earth house existed, which after the urbanization of the area and the strong housing demand, ceased to exist leaving only its former trees.

The project is located where the house existed and tries to rescue the significance it had. So the first decision is to level down the 10mx10m square of the former house, as a gesture to its void.

The second operation is to restore the life that could have happened in a patio under the shadow of a tree, and for that the mass is designed following the construction method defined during the research stage. This volume has the particularity of presenting dynamic faces, influenced by the plowing of the agricultural fields. It is built by twelve rows of wooden pallets modules 70cm wide, a size that is suitable for a pedestrian path, and its level is raised 1.15m to create an instance to overlook the valley from under a tree, and therefore under its shadow, the wind and the sound of the leaves.

In this way the project is defined as a square formed by modules of leftover material, with the main objective of forming a place, respecting every element in its context and making it an active part of it. This public space will provide the neighborhood with a place to stay, appreciate the landscape, and entertain themselves.□(Jonnattan Silva Ortega)

2 平面/Plan

4. 5 外景/Exterior views

3 14个剖面/14 sections

公共戏水区，利纳雷斯，智利Popular Baths in Linares, Chile, 2014

1 外景/Exterior view

这个项目的构思来源于学生个人，他试图为自己的家乡提供一个空间，可以在许多方面适应其所在的这一环境脆弱之地。

位于城市南郊安科阿河的利纳雷斯的公共戏水区正是这样一个地方。这里一年四季都有人光临，虽然已有政府提供的各种装置，但却不能充分发挥场所的美和潜能。安科阿河水清澈透明，未遭受污染，仿佛一面镜子倒映出水面上的树，如幽美环境中的背景音乐。

这个学生的焊接工艺传承自他的父亲，这使得他能积攒不少废旧钢材，用来完成他获取建筑学学位的项目。250mm×50mm×3mm的槽钢是他积攒最多的材料，也因此在这个项目中派了最多用场。

考虑到材料使用的经济性，长椅被精确地设计，与自然遵循相同的效率法则，且紧密地协调于其他自然因素中。这些红色元素仿佛另一物种被置于景观之中，它们不是要努力成为主角，而是与现存的物种和环境形成对话和补充。□（辛梦瑶 译）

项目信息/Credits and Data

作者/Author: Francisco Rojas

导师/Tutor: Glenn Deulofeu

材料/Materials: 钢，钢筋混凝土/Steel, reinforced concrete面积/Area: 730m2

摄影/Photos: Glenn Deulofeu, Francisco Rojas, Juan Román

4 细部构造图/Detail drawings

2. 3 外景/Exterior views

The project is conceived from the personal motivation of the student to provide his birth town with a space that could accommodate its many facets in one of its many vulnerable places.

That's how an opportunity to act on the Popular Baths of Linares appear, located over the Ancoa River in the south periphery of the city. The baths, very visited through all the seasons of the year, had government designed installations that didn't helped the potential and beauty of the place: The paused and transparent waters of the Ancoa river, free from contamination, act as a mirror of the surrounding trees that reach out to the bank of the river while providing it with a background music.

The craft of soldering learn by the student, inherited from his father, allowed him during the previous years to gather leftover steel elements from his work so he can use them later as part of his project to obtain his architecture degree. The 250mm×50mm×3mm steel channel was the most abundant material he could gather, and therefore the most useful for this project.

The economy of the material and the precision in which the benches were designed, made them deeply fit with the other elements from nature –which follow the same principles of formal efficiency– in a way that the autonomy of these red elements is incorporated into the landscape just as another species, that dialogues and complements – without trying become the protagonist – the existing species and situations of the place.□(Glenn Deulofeu)

迈腾瓦皮公众戏水区，塔尔卡，智利Maitenhuapi Popular Baths, Talca, Chile, 2014

1 外景/Exterior view

该项目位于圣拉斐尔区的一个公共戏水区，设计作为对处于危机中的景观的回应。这里是一片开阔的自然水域，对公众开放，处于资源有限的乡村地带。它的主要问题来自夏季的巨大负荷，数量庞大的残留垃圾使这里在夏末俨然成为一个微型垃圾场。另一方面，冬季水面上涨，在河岸上残留下大量的沉积物。如果不对这两种情况采取措施，会导致这个区域不断衰败。

该项目希望给戏水区提供适合不同活动的发展机会。基于这块区域的范围以及人工元素的缺乏，一个新的几何学方案应运而生。它形成一股张力，用以定义这个被用作河滩的特殊区域。这个新的几何学方案既是一种限定，也是一条景观中的线索，赋予了河滩、入口和停车场各自的性格。□（辛梦瑶 译）

The project is located in a popular bath in the San Rafael District, conceived as a response to a temporal landscape in crisis. The landscape in this case is an open natural bath, for public use, located on a rural district with limited resources. The main issue comes from the heavy load during the summer, which leaves several amounts of litter, turning the place into a micro dump by the end of the season. On the other side, the rise of the river during the winter modifies the area by leaving a large amount of sediment by the bank. These two conditions, if uncontrolled, will lead to a constant decay of the area.

The project looks to open an opportunity towards the development of different activities in the baths. Given the extent of the area and the non-existence of artificial elements, a new geometry is proposed, not present in the nature, which generates a tension to define a specific area which is used as the beach of the bath. This new geometry becomes a limit and a trace in the landscape that will recognize and give character to the beach, entrance, and parking.□(Romina Andrea Poblete Sepúlveda)

项目信息/Credits and Data

作者/Author: Romina Andrea Poblete Sepúlveda

导师/Tutor: Gregorio Brugnoli Errázuriz

位置/Location: 阿尔托潘格，圣拉斐尔区，塔尔卡/Alto Pangue, San Rafael District, Talca

材料/Materials: 混凝土，钢，石头/Concrete, steel, stone

面积/Area: 195m2

摄影/Photos: Romina Andrea Poblete Sepúlveda

2 总平面/Site plan

3 剖面/Sections

4 外景/Exterior view

评论

王路：这4个由塔尔卡大学的学生完成的项目，无论是生产辅助设施，还是木板广场或戏水区，都是基于对常用材料、建造方法、基地特点等方面的研究。在自然或文化景观中介入的场所性景观，是对基地文脉的续写。对建筑学人而言，在学生阶段就能建成自己的项目实在是令人兴奋。

佘依爽：仅仅是增添了那么一点点

这组学生的作品，可以看出智利建筑教育的部分导向：自然环境的呼应与思考，生活材料的使用与体验，乡村空间的关注与激活。所有设计故事的展开都不是那么激烈与戏剧的，而是平缓地融入当地语境，仅仅是增添了那么一点点。

Comments

WANG Lu: Completed by the students of Talca University, these four projects, be it in regards to the wood-paneled plaza, water area or auxiliary production facilities, are based on careful research in commonly used materials, construction methods and site features. The site-specific landscape represents a sequel of the local context in its interference with natural or cultural landscapes. For aspiring architects, it is truly exciting to see their own projects come into fruition already in their student days.

SHE Yishuang: Just adding a little bit

From this group of student works, we can see some directions of Chile's architectural education: the response and reflection to natural environment, the application and experience of life materials, the attention and activation to rural space. Not all design stories are started that intensely and dramatically, but combined with local context gently, just adding a little bit of new things.

Projects of Students from Talca University

Productive Support in Ñiquén, Chile, 2014