李沛 刘水

摘要： 随着中国传统文化关注度的提高，望城皮影的传承困境有了一定的缓和。文章依托于长沙望城靖港皮影艺术馆，并以望城皮影传承人朱国强制作的皮影为例，从人类学考察的角度，探寻长沙望城皮影的历史和现状，分析其文化价值和内涵。并从望城皮影影人服饰图案的构图形式、色彩特征、节奏特征三方面进行艺术特征探析，探究影人服饰图案的装饰与象征性等艺术功能。研究认为，望城皮影影人服饰图案丰富了皮影人物服饰的表现形式，体现了望城地区的民俗艺术气息。望城皮影艺术在其影人服饰图案的解读过程中得到进一步的挖掘和傳承。

关键词： 望城皮影;文化价值;服饰图案;艺术特征;艺术功能

Abstract： With the increasing attention to Chinese traditional culture， the inheritance dilemma of Wangcheng shadow puppetry has been alleviated to some extent. The research work is based on Changsha Wangcheng Jinggang Art Museum of Shadow Puppetry. Researcher took the inheritor of Wangcheng shadow puppetry ZHU Guoqiang for example to explore the history and current situation of Wangcheng shadow puppetry in Changsha and analyze its culture value and connotation from the perspective of anthropological investigation. Meanwhile， the artistic characteristics of costume patterns on puppets were analyzed from three aspects： composition form， color features and rhythm features. Besides， the decorative and symbolic artistic functions of costume patterns were explored. Studies indicate that， the costume patterns of Wangcheng shadow puppets enrich the expression form of the figure costumes， and embody the folk art atmosphere of Wangcheng. Wangcheng shadow puppetry art has been further developed and inherited in the process of costume pattern interpretation.

Key words： Wangcheng shadow puppetry; cultural value; costume patterns; artistic features; artistic functions

皮影戏在华夏文明发展历程中存在了两千多年，最初记载是：汉武帝由于痛失爱妃李夫人，终日愁眉苦脸、不理朝政，大臣李少翁一日突发灵感，用纸做成李夫人影像，涂上颜色，给影像装上木杆以便操控，等到晚上搭好舞台，点上烛光，恭请汉武帝落座舞台前观看，武帝看完之后心情愉悦，自此皮影戏便在民间广为流传，至今已成为中国的一种民间非物质文化遗产。2015年，望城皮影入选长沙市第二批非物质文化遗产名录;2016年，入选湖南省非物质文化遗产名录。近年来不少学者以皮影戏为载体探讨其艺术特征，如《长垣吕氏皮影艺术特征及其文化内涵初探》[1]将皮影从渊源、剧目内容、艺术特征、文化内涵等……