赵经寰



数律化美学模型和形式美学体系框架

赵经寰

摘要：从黄金律的内涵、外延的拓展和黄金律与辩证法的同一性和特殊性的分析来看，黄金律就是“形式辩证法”，形式辩证法的具体模式就是三图一组的“数律化美学模型”；DNA结构数律的新发现及其契合于黄金律恒等式的新结论，以及对性染色体的性状，为美和性是同源共生和表里相依的论断提供了根据，因此，在生命科学的分子水平的层面揭示了美的起源、本质和演变规律；美学模型与格式塔心理学互融互通，可重解自然美和传统、现代、后现代艺术风格史，是构建一个由九个有机部分组成的现代形式美学体系框架的基础。

关键词：黄金律；数律化美学模型；DNA结构；性染色体；形式美学

An Aesthetic Model of Numbers and the Framework of Formal Aesthetics

Zhao Jinghuan

Through the analysis of extension of the connotation and denotation of the golden rule, as well as the identity and particularity of the golden rule and dialectics, it can be concluded that the golden rule is just a kind of “formal dialectics”, which can be concretely represented in an aesthetic model of numbers. The discovery of number regularity of DNA structure, the conclusion that this structure corresponding to identical equation of the golden rule, as well as properties and shape of sex chromosome, all provide the basis for the inference that beauty and sex share common origin and depend on each other. Thus the origin, nature, and evolvement rule of beauty is revealed on the level of molecule in life science. Interacting with Gestalt Psycology, the aesthetic model can interprete the natural beauty, as well as the history of classical, modern and postmodern styles of art, which can construct the foundation of modern formal aesthetics composed of nine organic fractions.

一、对黄金律内延和外涵的扩展

在书法学习时，笔者发现在“三”字的标准楷书写法中，三横的长短合于3∶2∶5 的黄金比，“聿”字五横的长短合于3∶8∶3∶2∶5的黄金比。溯本求源，在甲骨文和金文中，“三”字的三横等长，“聿”字象形，如手执笔，长短随形。自汉代隶书以来在审美潜规则的淘选下，两字结构才开始改变，并逐渐定型为这种终极的美学定式。笔者认为这不仅是两例个案，其规律更具有普世的美学价值。此后笔者曾列举了三百多张插图，展示了更多的证据。

(一)黄金律的两次大拓展

1.对黄金律内涵的拓展。在艺术实践上，笔者已经把黄金律拓展到“线条、黑白、色彩、构成”等一切绘画形式领域。如把黑白分为五要素：形状、面积、深浅、虚实、肌理，再将五要素各分为五个层次，结论是：把每个层次按黄金分割配置最佳；……