王静

Contemporary art is a globalized art， which speeds up the conflict and integration between various arts. As contemporary oil painting artists， we should fully understand this conflict and integration， so that our oil painting works are not in a passive position. A strong painting must not be closed. Different artistic thinking and concepts， as well as the use of different materials and techniques， will collide with each other， which will lead to a fusion process between different painting species， resulting in new painting ideas and new painting language， making the advantages and disadvantages of different painting species complement each other.In the oil painting art， there is no difference between the old and the new painting materials. It is not important what material a painting uses， but how to use it to enrich the picture. The choice of painting material is based on the needs of the artist's heart and artistic conception. The integration and expansion of painting materials and techniques in contemporary oil painting art is good， but it is very important to deal with the contrast and coordination between different painting materials.

In recent years， with the change of people's aesthetic concept and the optimization of commercialization， oil painting texture as one of the aesthetic characteristics of oil painting has attracted much attention. Texture is important， but in our oil painting creation， we should pay attention to the use of texture proportion. We should avoid putting the cart before the horse in pursuit of texture effect and novelty of tools and materials. Propylene painting material is a kind of expressive texture carrier， a special cultural form that can be grafted， transformed and deduced at will. It has irreplaceable advantages in other painting languages. Of course， texture should also conform to the theme of creation， and should be harmoniously integrated with the content， thought， emotion， shape and color of creation. If propylene painting materials are introduced into oil painting art， the proper use of propylene painting materials will make their own oil painting creation produce unpredictable visual effects.It takes time and long-term practice to make texture with acrylic painting materials. We can't go for texture and fall into the pursuit of empty beauty. If we do not do hard and solid basic training， do not pursue the essence of things， only look at the surface， the road of oil painting will only get narrower and narrower. So for us beginners， we should take the use of acrylic painting materials as texture seriously， do a solid job in basic skills training， calm thinking， a lot of practice， to seek qualitative change by quantitative change， the use of texture should grasp a "degree"， as long as we adopt a correct attitude to texture， believe that the use of acrylic painting materials to do texture， certain. It will promote the innovation and development of oil painting art.

In contemporary painting， when oil artists use propylene materials to create paintings， they can speak through the sense of material， traces and texture produced by the use of materials. It can be the whole of a work， or it can be a specific object.Local existence， which is the visual impression of the picture， not only increases the expressive force， but also brings out special feelings and concepts.—— The Abstract emotion of metaphor and symbol. Material visual language expresses people's Abstract inner feelings and spirits. Propylene Painting MaterialFor the new painting materials， its material characteristics provide us with more visual language for our painting creation.It brings more unknown performance space. Propylene materials are extremely self-contained in material properties and conceptual dimensions.From the ground， propylene material has its own material characteristics， so that its painting language fully releases a new visual interest and examination.The exploration of propylene material language can deepen the understanding of propylene material characteristics， thus expanding its performance space.It is helpful for the further development of propylene materials in modern painting.This also requires us as painters to carefully study the characteristics of painting materials， painting language， painting effect and so on， and try again and again. In the picture， we should have the ability to control the contrast and unification of density， thickness， size and other factors. Different painting materials have different scales， so in the process of creation， we should pay attention to following the level， structure and law of painting， and grasp the principles of order， weight， thickness and other relationships. If materials and techniques are used improperly， it may make an oil painting become a vulgar and cheap painting. Therefore， we should properly deal with the selection of materials and the improvement of techniques to adapt them to the content to be displayed and achieve unity on the screen.