◇ 文|见习记者 胡 婷 图| 游 宇 受访者提供

王波：流年里的吊脚楼存着老家

◇ 文|见习记者 胡 婷 图| 游 宇 受访者提供

王波Wang Bo

1985年毕业于四川美术学院。1986年至1995年任教于西南大学美术学院，1996年后从事建筑、室内设计和环境艺术研究，自由艺术家。先后出版《王波作品案》《委内瑞拉——中国当代品油画艺术展》《向度与别望》《重现的风景——城市黄页》《方物亦非•重现的风景》《一门一世界》等。

Graduated from Sichuan Fine Arts Institute in 1962, Wang Bo is a freelance artist. He was once a teacher in School of Fine Arts, Southwest University from 1986 to 1995. In 1996, he devoted himself to architecture, interior design and environmental art. His masterpiece includes Wang Bo’s Works, Venezuela—Contemporary Chinese Oil Painting Exhibition,Returned Scenery—City Yellow Pages, Nothingness—Returned Scenery,etc.

如果让你想象一幅最有山城味道的画面，你会选择吊脚楼吗？或者，说到吊脚楼，你会否最先想到洪崖洞？

也许，于大多数人而言，吊脚楼最真实的记忆都已模糊。

十多年来，画家王波一直醉心于老山城的吊脚楼。在他的油画布上，黑褐色的调子中吐露着岁月的痕迹，偶尔淡淡的用色平添诗意，还原出山城青涩时光的线条与氛围。“所有的人都在背井离乡。”王波执着于吊脚楼，只因这些笔触将他带回童年，让他看清一颗赤子的心。

Will you regard stilted buildingsasa a symbol of Chongqing, or to mention stilted buildings, will Hongya Cave be right off the top of your head?

Perhaps most people’s impressions on stilted buliding are faded away.

For more than ten years, Wang has been keen on Chongqing’s stilted buildings. Dark brown lines on his canvas reveal wisdom of the ages, and occasional plain hues add poetic charm to Chongqing. “Everybody displaced from their homes.”Yet Wang persists in picturing stilted buildings, because these lines andhues remind him of his childhood.

吊脚楼里的烟火气

Harmony and Peace in Stilted Buildings

王波的油画大多以川东南、渝东南的古场镇建筑为主题，那里曾是盛极一时的古盐道，湖广填四川的移民节点。座落于此的古场镇依山傍水，错落有致，如同一个时间容器，盛满了码头文化和巴渝人生存迁徙的印记，也承载了王波对旧时回忆的不舍。

王波的老家在泸州，孩提时代，他住在老院子里。那个时候有老城墙，堂屋，小胡同，磨得光溜溜的青石板路。老人们最喜欢摆张竹椅，在院门口喝茶，抽烟，摆龙门阵。

1981年，王波到重庆求学。写生的时光里，他走过了菜园坝、千厮门、朝天门、十八梯……画了数不清的山城街巷，依山而建的吊脚群楼，记录了老重庆的生活。