康舜来

二点五维造景在当代展示设计中的运用探索

2.5 D landscape in contemporary display design of exploratory

康舜来

上海宝山民间艺术博览馆乡音未改与十里红妆造景

造景作为一种展示手段与表现方式在当代展示设计中被广泛运用，在一些文博展和常设展中更是一种重要而不可或缺的展示手段。虽然展览展示中那些结合了展示内容精心设计的人工造景往往能吸引参观者驻足观看并给其留下深刻印象，但是设计制造这些造景却相对需要较高的成本，占据宝贵的空间，造成施工工期的延长等。所以在平面二维的展示手段不能满足展示要求，三维造景又限于客观条件制约的前提下，介于三维造景与二维平面的二点五维造景可以在一定程度上接近三维造景的展示效果，既满足了展示要求也相应的降低了成本。二点五维造景在短期展览中的作用和效果尤为显著，二点五维造景兼顾成本与展示效果从而受到展览举办方的青睐。在展示设计中如何巧妙地设计运用二点五维造景已经成为了一个需要设计师认真面对和解决的问题。

Landscape as a means of display and expression is widely used in contemporary display design, and in some cultural exhibition and the permanent exhibition is an important and indispensable means of display. Although the combination of those exhibitions designed to show content artificial landscaping often attract visitors stop to watch and give their impress. But the design and manufacture of these landscaping often requires a higher cost, occupy valuable space, resulting in the extension of the construction period and so on. Therefore, in a two-dimensional plane display means it can not meet the requirements of display, threedimensional landscape and limited objective conditions restricting the premise, between three-dimensional andtwo-dimensional landscape of two five-dimensional threedimensional landscape landscaping can be close to a certain extent, display of results, both to meet the display requirements have reduced costs. Two point five-dimensional landscape and effects in the short term exhibition is particularly significant, two five-dimensional landscape both cost and effect so favored by the exhibition organizers.

一、造景与展示设计

1.1 造景在当代文博展示设计中的运用

景是由形象、体量、姿态、声音、光线、色彩以至香味等组成，是园林的主体和欣赏对象。造景，即利用环境条件和构成园林的各种因素，用人工的手段造作出所需要的景。造景的概念在明代著名造园家计成所著的《园冶》中就得到映现。而在当代的展示设计中，造景也是一种多维的展示手法。……