钱绍武

前言：搞了大半辈子雕塑，教了大半辈子的书，今年七十七岁了，在中央美院还混上了一个“银嘴儿”的外号。大家都劝我发挥这个专长，要我多摆摆龙门阵。但我觉得好友交谈，会心一笑，的确不太费事，但要整理成文，可就麻烦的很了，于是就懒了下来。岂料去年突然发生一场车祸，万幸的是并无大碍。但是让我意识到“风烛残年”的古训，也就立生了鲁迅先生晚年的心情——“要赶快做”。所以现在开始整理一点心得体会，正确与否，且不去管它，只是提炼出来，供大家研究研究，我想总还是有益的吧。于是得到了《雕塑》杂志的支持，开辟了这个栏目。我争取在有生之年每期都写上一点，希望为一些有兴趣的朋友增添一点谈笑的资料。

Preface：Dedicating myself to sculpture career and teaching over half a lifetime, I am 77 this year with a nickname "Silver mouth" in Central Academy of Fine Arts. Many people persuade me to bring into play the special skill and arrange Longmen battle array. I think talking with friends and getting happiness doesn't actually take a lot of trouble, while it's inconvenient to write articles and then I am idle. Unexpectedly, a road accident happened to me last year, fortunately I was almost okay. But that made me realize the ancient alloculations of "having one foot in the grave", and then immediately came out Mr. Luxun's feelings in his old years-"Do it early". Therefore, I am arranging some experience, whether it's right or not? Even I forgot it, just abstracted it out for research, which I think is beneficial, and then I got support from "Sculpture Magazine" to start the program. I try to write something in each issue in my life in hope of increasing some interesting materials for some friends who have interest.

一眼看去，就能判断人家什么时候发财、生儿，这种本领就叫做“相面”。靠它吃饭的人，人们称之为“相面先生”。也算是有头有脸的一种职业。本人由于雕塑艺术的需要也曾长期进行研究，以致“文化大革命”中研究《麻衣神相》就是我的一项罪行。其实，真是冤枉，我和“相面先生”大大的不同。他们是“迷信”，我却是“科学相面”。我非但要研究而且还要劝大家都来关注。我相面的科学性是建立在一个客观的原理之上的。这原理就是一句话——长期表情的凝固就成了相貌。这条原理，我看非但适宜于人类，而且还适用于飞禽走兽。人太复杂，有很多伪装，让我们在后面的叙述中分析。我们且看狮子、虎、豹之类，它们一天到晚都在搏杀，都在咬死别人，所以长期表情是凶狠残忍的，于是就形成了一副凶相，这种长期表情甚至已成为基因而遗传下去了。……