里特山博物馆，苏黎世，瑞士

2011-07-30阿尔弗雷德·格拉齐奥利,阿道夫·克利尚尼兹,李璠

世界建筑 2011年7期

1 外景/Exterior view（摄影/Photo: Heinrich Helfenstein）

2 夜景/Night view（摄影/Photo: Margherita Spiluttini）

这座由玻璃构成的建筑体现了所有入口建筑所必需的元素，同时也成为了进入这个博物馆世界的显著标志。透明的入口作为过渡，一方面，令来访者感知到“山的深邃”；另一方面，则将人流引向下面两个楼层。

与“玻璃屋”直接相连的是一个由楼梯、电梯以及诸如款台、展示柜和衣帽间这样的可移动元素构成的空间。根据功能需要（诸如开幕式、特殊活动等）可以移动甚至撤去这些元素。来访者还可以透过入口建筑一览威森东克别墅的美景。这座建筑作为进入展区前的前厅，同时与相邻的公共活动大厅接通，集多功能空间与仪式性空间于一身。□（李璠译）

The glass building displays all the important effective elements of an entrance building and is thus the visible symbol of looking into the interior of this museum world. The diaphanous threshold is a transition that allows a look into the "depth of the hill" as well as leading to the two lower storeys.

Directly adjoining the glasshouse is a spatial layer containing stairs, lift and mobile elements such as cash desk, show cases and cloakroom.According to the amount of space required(openings, special events etc,) these elements can be altered or even removed. When one looks behind the entrance building opens up a wonderful view of the Villa Wesendonck. As the front building to the actual exhibition district and in conjunction with the neighbouring public events hall it can be used in manifold ways, both functionally and for representative purposes.□

3 细部/Details

4 内景/Interior view（3、4 摄影/Photo: Heinrich Helfenstein）

5 内景/Interior view（摄影/Photo: Margherita Spiluttini）

业主/Client: Amt für Hochbauten der Stadt Zürich

合作者/Collaborators: Elke Eichmann（项目建筑师/Project Architect）, Thomas Künzle, Jay Thalmann,Dimitri, Kaden, Naomi Hajnos, Simone Wiestner,Wieka Muthesius, Birgit Frank, Ralf Wilkening

艺术家/Artists: Gilbert Bretterbauer, Helmut Federle